Showing posts with label Joss Whedon. Show all posts
Showing posts with label Joss Whedon. Show all posts

The Memory's Telling of the Journey is the Worthier Part

"Serenity: The Shepherd's Tale" from Dark Horse Comics

If you are at all a fan of Joss Whedon's ongoing sci-fi story: TV's "Firefly" and its feature film sequel "Serenity", you have been waiting for this comic even if you didn't know it, because you've been waiting for this story for a long time. And it does not disappoint. If you're not familiar with Joss Whedon's 'verse this may very well be the place to start.

Chris Samnee's art is wonderful. Clean-lined and smooth, alive and full of delightful human imperfection. His work retains that feeling of being hand-made (what the art historians call gestural artwork) and the result is great cartooning. But somehow his stuff is also realistic enough that it holds some weight. His people look like their bodies are moving over real terrain and through real air. Samnee (@ChrisSamnee) is one of those fantastically rare visual artists who is perfect for comics: smartly cartoony and fluid with strong recognizable shapes that build volume and give a realitic feel to the entire product.

There really are just a handful of them alive and working in the American comics industy at any given time: Dean Haspiel and Erik Larsen are the only other two that come to my mind.

Samnee's art is never a weak link in making visual narrative art. He was unknown to me when I first saw his name attached to this project, but after I saw the preview images [like the one above] and his work on Marvel's "Thor: The Mighty Avenger" series I had no fear about his art doing justice to the brilliant work of Joss Whedon and the original cast of the TV show that started the franchise in 2oo2.

Just look at the sketches from his blog, taking the actor's face and extrapolating the character's younger self(ves). How cool is that?
Now that I sufficiently sound like I'm obsessed with Chris Samnee and you think he's paying The Long and the Shortbox Of It money for these positive reviews both Josh and I have given him now... let's move on to the story.

To clearly depict a character's emotional journey is a tough act in any narrative art medium. To do so with a character who was already well-established and defined in a completely different art medium by a writer, actor, costumers, and cinematographers? And to then do it IN REVERSE?

That's remarkable.

Just as Samnee had to reverse engineer Ron Glass' face in the character of Shepherd Derrial Book, so too did Zack Whedon (@ZDubDub) find himself challenged with crafting a single linear story (a backwards linear story) that presents us his brother's notes on the character's life-story at all different stages from childhood to the middle-aged man we met in the show's first episode when he said: not the destination, but "how you get there is the worthier part." All this material was probably intended to be revealed bit by bit over two seasons of television. Remarkably, the resulting story is smart, unnerving, and emotional. Especially on the re-read.

THE LONG AND SHORTBOX OF IT?
"The Shepherd's Tale" is an exceptionally well-written and well-drawn character biography in reverse. Buy it. Read it. Read it again.

If you've been wondering about whether these Serenity comics from Dark Horse are worth your time, this is one you should have no doubt about. If you were a fan of Joss Whedon's original TV series or the movie sequel you should not hesitate to buy and read this graphic novella. Even if you've never heard of the stuff, you can find something you will love here.

Go get one at your local comic shop! And try to enjoy your trip there because life is wonderful but will be over all too quickly and "how you get there is the worthier part"!

~ @JonGorga

Already Tired of Tuesday!

I've got another minuscule week this week- when I went to go pick up my comics from the last two weeks on Saturday, I got only six things and, with my pull-list discount, it came out to less than twenty bucks, which amazed my mightily. This week, too, looks mightily small, as I'm picking up both INCREDIBLE HERCULES # 137 and Justice Society of America #32, but not much else.

A quick extra bit, though: in addition to that issue of Thunderbolts I talked about 'round about this time last week, I also picked up Joss Whedon and Fabio Moon's Sugarshock from Dark Horse, which I highly recommend, and I also put in an order for the first volume of Dark Horse Noir, which features a new Brubaker/Phillips Criminal story, as well as work by Brian Azzarello, Jeff Lemire and the aforementioned Moon with his twin brother Gaberial Ba. I haven't really seen anything about it yet, but the talent associated with the proect is fantastic, so it would be hard to be anything but excited.

Make Mine Marvel

Hello.
Now that I have your attention, I feel that I can properly introduce myself:
My name is Josh Kopin. I am a sophomore at Bard College, and I like comic books. I like all comic books, even the bad ones, because I have fallen in love with sequential art. Why have I fallen for such a fickle (and often awful) mistress? Why do I let myself pay for comics, most of which will inevitably be crap? Why! Why! Why!

Because comics are the single most accessible artistic medium. Which isn't to say that comics can't be complex, just to say that it is often the only medium that manages to be both acessible and smart at the same time.

With that said, is it also probably the most complex to make: not every creative team, after all, can be Joss Whedon and John Cassaday. There are so many essential and integral pieces that go into the making of a comic that it has become clear to me that a comic is only as good as its weakest link. Comics aren't the movies; one man can carry the show by the sheer force of will and talent: Ed Brubaker could write the best piece of literature since Shakespeare, but if it was drawn by an awful artist (say, yours truly) there is no hope for the piece.

It is this combination of accessibility and complexity that makes comics so damn interesting to review, particularly since the aesthetics of comics are ultimately quite ill-defined. This makes the question of "what makes a good comic" particularly hard to answer. I, for instance, am not sure about how I feel about Jeff Parker's Agents of Atlas ongoing series, but it is ultimately an extremely comic-y comic. It's got bizarre heroes, great action, and a wonderful silver age-y feel- I see why people find it appealing- but ultimately it just sort of bores me. I mean, I should get really excited by a gorilla running around with two machine guns, shooting things with two brains. I just don't, I guess. On the other hand, I find myself really, really liking Parker's Exiles, which, despite the lesser quality of the dialogue, has a manic energy that I really enjoy.

So, with all of that, I introduce myself to you, the fine readers of this new blog: my name is Josh Kopin, and I like comics. For your reading pleasure here at THE LONG AND SHORTBOX OF IT I will be the primary handler of Marvel Comics reviews.

Until next time, True Believers. You can read my pull list for this week Tuesday.