Chatter: John Porcellino

Always with my comics, what I’m trying to do, is to put down the thing that’s in my head as straight as possible. When I draw a page of comics it doesn’t need any color. Color would mess it up. In the olden days if I drew a scene at night, I would take some ink and fill in the sky black or use cross-hatching, but at some that even became unnecessary. There’s context there probably that tells the reader that it’s night. The reader already knows the night sky is dark. I don’t have to draw the darkness. 
I’m not trying to accurately render the world, I’m trying to transmit something from my head into another person’s head. You don’t necessarily need a lot to do that. When I talk to students I tell them cartooning is like writing. Even the drawings are writing. The letters CAT, they don’t mean anything. They’re abstract lines on paper. You learn through the process of reading that CAT is a symbol that represents the furry thing throwing up behind the couch. If I can drawn a car with three lines and the person can read it as a car, I’ll use three lines. 
Sometimes I still get that cliché, “My five-year-old could draw this.” I think to myself, “I’d like to see your five-year-old draw that!” I still get that. Reviewers will be looking at my comics and they’ll say, “But you can really draw right, can’t you? I mean, you could make this look good, right?”
via The Comics Journal

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